A Franco-Flemish double-manual harpsichord, originally a 'transposing' harpsichord made in Antwerp in 1617 by an unknown maker.  It was given a bass ravalement in Paris sometime between 1742 and 1750.  Then, in 1750, it received a major alteration when it was given a bass ravalement and was lavishly decorated by François Étienne Blanchet.  Later is was given a treble ravalement in 1786 by Jacques Barberini and Nicolas Hoffmann.

 

 

Examples of Arabesque and Figure Paintings by Christophe Huet

for comparison with the decorations on the Franco-Flemish harpsichord.

 

Examples of Boucher decoration from the interiors of the Chateau Champs-sur-Marne:

All photographs here, taken by Grant O'Brien

Chateau de Champs-sur-Marne: 

note the characteristic 'geometrical'

arabesques alongside

the foliate arabesques.  These are

both characteristics of the

decorative style of Francois Boucher.

Chateau de Champs-sur-Marne:

Chateau de Champs-sur-Marne:

Chateau de Champs-sur-Marne:  A rare

example of a human figure - but, as is most

common, the figures are Chinese.

Chateau de Champs-sur-Marne:  Another

rare example of human figures in this

type of Boucher decoration - but,

as is most common, the

figures are Chinese.  Is this a kind of

sexual perversion scene with the head

(and mouth) of one figure buried

deeply in the groin of the other

- or am I the pervert in thinking it so??

 

Chateau de Champs-sur-Marne:  a good

example of the delicately elegant Boucher

decoration.

Chateau de Champs-sur-Marne:

Chateau de Champs-sur-Marne:  a fairly

common mix of geometrical arabesques,

foliate decoration, foliage, etc. decoration.

The inventiveness of the highlights and

shadows in totally imaginary objects

is extraordinary.

 

 

 

 

 

 

Examples of Boucher's decorations from the Chateau de Chantilly:

 

Boucher Chantilly:  typical ornaments

Boucher in Chantilly:  In honour of a very

special grandfather monkey!

Boucher - Chantilly:  A wonderful example of

Boucher's invention and his mixture of floral,

imaginary, gilt, foliate decoration.  His

curves and spirals are always beautifully

carried out and seem, almost, to follow

a theoretical mathematical curve.

Boucher Chantilly:  detail.

1733 Blanchet double-manual harpsichord:

an inventive mix of foliate and scallop

decoration in various colours enrichedf with

invented highlights and shadows.

 

 

Important Features of this harpsichord

 

A brief history of the musical and decorative states of the Franco-Flemish harpsichord

 

Details of the original state of the instrument

 

Details of the eighteenth-century states of this harpsichord

  

 Details of the modern history of this harpsichord

 

 Problems encountered in the ethical restoration of this harpsichord

 

 

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This page was last revised on 28 September 2025.